Marina Da Luz Herbert

INSTRUCTOR

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About Marina Da Luz Herbert:

BASEWORKS Practice Certified Teacher | BT2 | BA in International Trade: UNA, Brazil

Marina is a BASEWORKS Practice Tier 2 Certified Teacher (BT2). Marina was born and raised in Brazil and is a mother of 2. Marina has a degree in international trade with a background in finance. Upon moving to Japan from Switzerland, Marina had the desire to further her study in movement. In search for a teacher training to support this, she discovered BASEWORKS Practice. Marina has embraced the challenges and positive transformations that resulted from the practice. While attending the BASEWORKS Practice Teacher Training, Marina discovered a deeper personal life-purpose of sharing her own experience with others. She is fully committed daily practice and sharing as a teacher, embracing the combined experience as an evolutionary journey.

EVENTS

October 10-November 29, 2026

Montreal Practice Sessions — Fall 2026

October 24/25 | 2026

Study Lab | Berlin

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PODCASTS

Baseworks Transmission episode artwork: a portrait of choreographer Catherine Gaudet, seated with her chin resting on her hand and smiling, beside the title On Ambiguity, Ritual, and What a Performance Does to an Audience, with the names Catherine Gaudet, Ksenia Asia Shcherbakova and Patrick Oancia and a blue soundwave along the bottom.

Catherine Gaudet: On Ambiguity, Ritual, and What a Performance Does to an Audience

2026/09/16

How a performance gets built to do something to a spectator: choreographer Catherine Gaudet talks

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Baseworks Transmission episode artwork: a portrait of Edward Clark with long grey hair, looking at the camera against a white background, beside the title On Tripsichore, Physical Theater, and the Emergence of Critical Practice, with the names Edward Clark and Patrick Oancia and a blue soundwave along the bottom.

Edward Clark: On Tripsichore, Physical Theater, and the Emergence of Critical Practice

2026/01/01

This episode explores the intersection of rigorous physical practice, critical thinking, and artistic expression—themes central

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ARTICLES

$Title card for the article, reading "If We Wrote About Vision the Way We Write About Proprioception" with the subtitle "A thought experiment about body awareness" and the byline "Ksenia Asia Shcherbakova", set over a dark olive-green illustration of two silhouetted figures facing each other across a plain, one dissolving into a cloud of dots and connecting lines streaming from its head, the other standing against a muted gold sun with pale fractured shapes across its body.$

If We Wrote About Vision the Way We Write About Proprioception

2026/09/22

We don’t talk about vision the way we talk about proprioception, as something you only

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Angine de Poitrine performing on stage in pyramid-shaped papier-mâché head costumes under gold stage lighting.

What’s Between the Notes

2026/07/07

An essay tracing one shift through cycling, skateboarding, music, and Baseworks practice: when effort or

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